June 8, 2011
AOL presents Rainbow City in the Village Voice
I have had the pleasure of being involved with this fantastic month long public art installation. Please stop by before July 5th to engage with this expansive inflatable landscape. I also had the pleasure of photographing the space. Check the images out in the Village Voice
May 30, 2011
May 26, 2011
Multiples
From Nina Carelli's blog regarding THE 3200 release show!
Multiples - 5/6/11
My pals Erika Velazquez and Jen Brown are launching the first issue of their fine art/photography magazine The 3200. In celebration of this, they have curated a small group show - "Multiples" featuring my etchings and a few other awesome people. This one-night-only show opens Monday, May 9th at Arlene's Grocery in the Lower East Side, 6-9 pm. hope to see you there! check out The 3200 and their blog
Nina Carelli Blog
Multiples - 5/6/11
My pals Erika Velazquez and Jen Brown are launching the first issue of their fine art/photography magazine The 3200. In celebration of this, they have curated a small group show - "Multiples" featuring my etchings and a few other awesome people. This one-night-only show opens Monday, May 9th at Arlene's Grocery in the Lower East Side, 6-9 pm. hope to see you there! check out The 3200 and their blog
Nina Carelli Blog
April 16, 2011
MULTIPLES, Curated by Erika Velazquez and Jen Brown of THE 3200
For the release of the Spring / Summer edition of THE 3200, We will be curating a show at Arlenes Grocery on the Lower East Side.
The show will feature recent works by Alexander Bush, Nina Carelli, Elana Noy and Aviva Rowley.
Credit: Aviva Rowley
The show will feature recent works by Alexander Bush, Nina Carelli, Elana Noy and Aviva Rowley.
Credit: Aviva Rowley
January 29, 2011
THE 3200 and Josh May
Here is a preview from THE 3200 article on Josh May:
Elements of grandiosity and removal penetrate May's large scale color photographs. In his piece titled Hong Kong 2008, white buildings intimidatingly tower over the audience. In his two New Jersey photographs, a singular structure shrinks and remains in the distance as the foreground glistens with water. A majority of the pieces concentrate on a single piece of architecture while Compositions of city-scapes at an unidentifiable distance pepper May's work.
Elements of grandiosity and removal penetrate May's large scale color photographs. In his piece titled Hong Kong 2008, white buildings intimidatingly tower over the audience. In his two New Jersey photographs, a singular structure shrinks and remains in the distance as the foreground glistens with water. A majority of the pieces concentrate on a single piece of architecture while Compositions of city-scapes at an unidentifiable distance pepper May's work.
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